A Transmedia Theatre Project
DRONE is a new play by Andrea Assaf, and a transdisciplinary, transmedia performance project integrating theatre, live music, emerging technologies, and artistic containers for public dialogue. It explores the drone as a metaphor for how we become desensitized to daily violence (domestic and global), the question of Moral Injury, and the effects of remote-control warfare on the human soul.
Available *NOW* for touring/booking:
DRONE: Testimonies & Music
A Concert Reading
from Surviving the Long Wars: Veteran Arts Summit & Triennial
March 18, 2023 @ Chicago Cultural Center
DRONE: Testimonies & Music features three characters from the play known as "The Survivors." These excerpts are based on the actual, real-life testimonies of survivors and witnesses of U.S. military drone strikes, written into multi-voice poetry by Andrea Assaf. The testimony poems are paired with an original sound score that explores droning in diverse music traditions -- from the U.S. South, to Southwest and Central Asia. Featured performers include Andrea Assaf, Ashley Wilkerson, and Anu Yadav as The Survivors; with vocalists Lubana Al Quntar, Kathy Randels, and Aida Shahghasemi; violinist Eylem Basladi, multi-instrumentalist Zafer Tawil, and more.
Check out these photos from performances at the Arab American National Museum (November 2022, photos by Houssam Mchaimech), and the Chicago Cultural Center (March 2023, photos by Gabi Vigueira), plus excerpts in the VIDEO section below!
DRONE: The Play
Written & Directed by Andrea Assaf
IN DEVELOPMENT: The play follows the story of a U.S. pilot who moves to Nevada for a new job, flying drones -- and what this job does to him, and his family. The pilot's story is juxtaposed with the poetic testimonies of The Survivors, who seem to speak to him through various forms of media and screens. As the pilot's mental health becomes increasingly affected, he escapes more and more to the Las Vegas nightlife, while his wife turns to faith for support, joining a local ministry (which unbeknownst to her, is preparing for the end of days). During an impulsive visit to the military base, she encounters a group of protestors, and a temple to the ancient Egyptian goddess, Sekhmet. As the play takes a turn toward tragedy, we meet a host of characters, including a retired Air Force General, a Sex Worker, a Preacher, and multiple Elvis Impersonators.
In January 2023, the artistic team of DRONE performed a special, invitation-only, staged reading of new work-in-progress at the Contemporary Arts Center (CAC) New Orleans. Performed by: Dora Arreola (Movement Director), Lyam B. Gabel, Ifrah Mansour, Heather Raffo, Kathy Randels, Nick Slie, Gerard Stropnicky, Ashley Wilkerson, and Anu Yadav. With live music by Lubana Al Quntar, Eylem Basaldi, Kathy Randels, Aida Shahghasemi, and Zafer Tawil.
from CAC New Orleans Staged Reading
January 28, 2023
Stay tuned for the premiere!
Photos & video at the CAC New Orleans were taken by Melisa Cardona (2023). Check out the VIDEO section below!
VIDEO
Content Warning: This performance contains text based on the actual testimonies of military drone strike survivors and witnesses. The content includes descriptions of war, death, and violence, which may be difficult for some audiences. We encourage self-care, in your choice to view the following video excerpts, or to attend performances.
PARTICIPATE:
Share YOUR Story!
In February 2021, Andrea Assaf received a Digital Residency with the Arab American National Museum. As Artist-in-Residence, she offered online workshops, and developed the script for DRONE, including online ensemble-building with an incredible cast of collaborating artists: Nick Slie, Kathy Randels, Robert "Bobby B." Martin, Ashley Wilkerson, Heather Raffo, Adelina Anthony, Ifrah Mansour, and Anu Yadav. Script development culminated in an online reading of the first full draft, with Critical Response feedback from invited partners and supporters. In addition, Art2Action and the Museum launched a national Call for Video Submissions.
We invite Arab American, South West/Central Asian and North African (SWANA), Muslim, allied artists, military veterans, and community members, to share lived experiences related to key themes in this work. The DRONE project seeks to document direct experience with surveillance or militarized drones. If you have worked with or witnessed military or surveillance drones, and would like to share your story, please consider submitting a video to our interactive archive (currently in development). Videos should be 3-5 minutes in length, and should specifically reflect these themes. Use the approach of your choice -- a story, poem, song, movement, media or more -- to share your personal experience. All stories should be true, and all creative content must be original (or public domain). Videos submitted will be considered for showcases on our website, and for screening in conjunction with performances and dialogue events for this project. Visit our Submission Form, and SHARE YOUR EXPERIENCE.
Background & Vision
DRONE is a large-scale, ensemble, multimedia theater work, in which visual and sonic environments are as strong as the performances. With Dora Arreola as Movement Director, performers develop a shared physical vocabulary, exploring the “drone” in movement as an embodied experience of militarization, as well as embodiments of ritual. Guest Choreographer/Dancer Nejla Yatkin will also embody the goddess Sekhmet! Music Director Eylem Basaldi and vocalists Kathy Randels, Lubana Al Quntar, and Aida Shahghasemi collaborate to develop an original sound score, exploring practices of “droning” in music traditions from Appalachia to Iran. Through the creative encounter of artists from the U.S. and the Middle East, we are exploring how the aesthetic drone can link and traverse global locations, cross time zones and centuries, to create a sonic base for simultaneity. In collaboration with Director Andrea Assaf, Scenic Designer Jeff Becker will develop imagery as the text and performance elements evolve together. Projection design will include live feed, documentary footage, digital art and interactivity exploring the play's themes and motifs, and transporting us to the play's various locations. Audience interactivity will include web and app-based components, as well as facilitated dialogues and community engagement.
IMPACT: This project aims to expose the horrors of the mundane, and the deceptive “security” of limitless surveillance and endless war. We want to create a work that will bring awareness to the rapid proliferation of militarized drones, and stimulate public dialogue on this very real and disturbing subject. Our hope is to increase awareness of the military use of drones, for surveillance and bombing, in Pakistan, Afghanistan, Iraq, Yemen, Somalia, at the U.S.-Mexico border, and beyond…as well as within U.S. borders. Through national partnerships with CODEPINK Women for Peace, Veterans for Peace, and About Face (formerly Iraq Veterans Against the War), and other activist organizations, we hope to catalyze broad public dialogue and action on this crucial issue. We also hope to inspire audiences to reflect personally on how and why we choose to “drone” out, or default into denial and escapism – and how we could all choose differently, to actively engage in creating a more safe and peaceful world.
Activism
The photos below were taken in Fall 2019, when Art2Action joined CODEPINK and Veterans for Peace (VFP) for a week-long vigil to protest U.S. military drone strikes, outside of Creech Air Force Base in the Nevada desert, near Las Vegas.