An Art2Action & Pangea World Theater Collaboration
SAVE THE DATES!
July 6-9, 2017 — Indigenous Artists Pre-Conference
July 11-16, 2017 — Professional Peer Exchange
July 18-24, 2017 — Next Generation Artists Institute
Stay tuned for application & enrollment information!
ARTICLES: SEE WHAT LEADERS IN THE FIELD ARE SAYING!
- “BUILDING a Directing & Ensemble Creation Institute” by Nobuko Miyamoto
- “Observations on the Pilot Convening” by Ed Bourgeois
- “Reflections” by Sharon Bridgforth
- “Indigenous Artists Gathering 2015” by Ashley Minner (Alternate ROOTS)
“It further informed and deepened my directorial practice and commitment more than any other program could possibly do.” – Kamilah Forbes, The Apollo Theater
“An extraordinary resource for directors to develop their craft and find solidarity with a community of peers and mentors.”- Dan Kwong, Great Leap
“The Institute has the potential to coalesce this spirit and commitment into a powerful tool to educate ourselves, the next generation of unique theater makers and directors, and an infinite number of other fields and disciplines.” – Theresa Chavez, About Productions
Pangea World Theater and Art2Action Inc., with 8 nationally prominent performing arts networks – Alternate ROOTS, Consortium of Asian American Theaters & Artists (CAATA), First Peoples Fund, National Association of Latino Arts and Culture (NALAC), National Performance Network (NPN), Network of Ensemble Theaters (NET), New England Foundation for the Arts (NEFA), and Theatre Communications Group (TCG) – have worked together to develop the vision and model for a National Institute for Directing & Ensemble Creation, dedicated to professional peer exchange and training the next generation of theatre artists of color and women directors.
This project arose as a response to the dearth of professional development and exchange opportunities for directors in the U.S., particularly directors of color and women, as well as the need for in-depth ensemble training in various forms of future aesthetics. The 2010-12 pilot phase included field-wide dialogues, collaborative planning, documentation, and professional exchange among leading directors and ensemble artists in the field. Key activities included roundtables at partner convenings nationally (2010-11), a pre-conference hosted by the University of South Florida Department of Theatre in association with the National Performance Network Annual Meeting in Tampa (2011), and a one-week residential Pilot Intensive at Pangea World Theater in Minneapolis (2012), to develop the structure, content and curriculum, prior to the projected public launch of the Institute. This two-year pilot process ignited and deepened field-wide dialogues on the needs of women directors and artists of color. It has, in turn, informed and shaped the proposed Institute, to create a secure foundation for the successful launch of a replicable program.
In 2015, we launched the second phase of the National Institute program. In March 2015, we co-convened a 4-day Indigenous Artists Gathering, organized to address the lack and need for a national network of First Nations artists working in theatre and/or contemporary performance. In August 2015, another week-long Professional Peer Exchange was held in Minneapolis.
Art2Action & Pangea World Theater are thrilled to announce the 2017 National Institute for Directing & Ensemble Creation program! In July, we will embark upon a month-long journey with leading artists in our field, as well as emerging artists ready to grow into leadership. The program will include an Indigenous Artists Pre-Conference for First Nations participants who will serve as faculty and advisors; a Professional Peer Exchange for our faculty and invited guests, including professional development workshops and curriculum design; and the first-ever Next Generation Artists Institute for emerging practitioners, open for enrollment!
CHECK BACK SOON FOR 2017 UPDATES & APPLICATION MATERIALS!!
The National Institute for Directing & Ensemble Creation is organized by Art2Action Inc. and Pangea World Theater, and is made possible, in part, by the generous support of the Andrew W. Mellon Foundation, Surdna Foundation, Doris Duke Charitable Foundation, the Nathan Cummings Foundation, the National Endowment for the Arts, and the McKnight Foundation.